Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Created a temporary matte painting and performed the final composite in After Effects to integrate background environments with foreground elements. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Developed an environment reference in Unreal Engine to establish spatial layout, lighting direction, and visual tone for the 3D scene. Em & Selma Go Griffin Hunting Director: Alex Thompson Designed and animated title graphics in After Effects, crafting custom visual effects for on-screen typography. Things We Summon Director: Alex Thompson Designed and animated title graphics in After Effects, crafting custom visual effects for on-screen typography. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Composited live-action footage with CG space elements, carefully matching lighting, perspective, and motion to integrate seamlessly with the 3D animation in After Effects. Utilized Z-depth passes to create atmospheric depth and enhance the overall visual cohesion of the scene. Things We Summon Director: Alex Thompson Composited live-action footage with CG space elements, carefully matching lighting, perspective, and motion to integrate seamlessly with the 3D animation in After Effects. Utilized Z-depth passes to create atmospheric depth and enhance the overall visual cohesion of the scene. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Composited live-action footage with CG space elements, carefully matching lighting, perspective, and motion to integrate seamlessly with the 3D animation in After Effects. Utilized Z-depth passes to create atmospheric depth and enhance the overall visual cohesion of the scene. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Captured motion data and retargeted it onto a custom-rigged astronaut character in Cinema 4D. Designed and animated a cinematic camera move, complemented by dynamic space lighting for added depth and mood. Final compositing was completed in After Effects, leveraging Z-depth passes to achieve atmospheric depth and seamless integration. Things We Summon Director: Alex Thompson Designed and animated title graphics in After Effects, crafting custom visual effects for on-screen typography. Black Dragon Director: Alex Thompson Applied lens blur and chromatic aberration effects, integrated dust elements with motion tracking, and composited all enhancements in After Effects to add cinematic realism. Black Dragon Director: Alex Thompson Captured motion data from my own performance, imported it as metadata into Unreal Engine, rigged the character, and configured the camera setup. Enhanced the final output with post-processing effects composited in After Effects. Black Dragon Director: Alex Thompson Captured motion data from my own performance, imported it as metadata into Unreal Engine, rigged the character, and configured the camera setup. Enhanced the final output with post-processing effects composited in After Effects. Black Dragon Director: Alex Thompson Extracted and keyed out a character from footage shot without a green screen using advanced masking and difference matting techniques, then integrated the isolated subject into a new composite environment. Black Dragon Director: Alex Thompson Created a split diopter effect by stitching two different shots together, enabling both foreground and background to remain in sharp focus simultaneously within the same frame. Black Dragon Director: Alex Thompson Applied lens blur and chromatic aberration effects, integrated dust elements with motion tracking, and composited all enhancements in After Effects to add cinematic realism. Black Dragon Director: Alex Thompson Applied lens blur and chromatic aberration effects, integrated dust elements with motion tracking, and composited all enhancements in After Effects to add cinematic realism. Black Dragon Director: Alex Thompson Applied lens blur and chromatic aberration effects, integrated dust elements with motion tracking, and composited all enhancements in After Effects to add cinematic realism. Black Dragon Director: Alex Thompson Applied lens blur and chromatic aberration effects, integrated dust elements with motion tracking, and composited all enhancements in After Effects to add cinematic realism. Black Dragon Director: Alex Thompson Applied lens blur and chromatic aberration effects, integrated dust elements with motion tracking, and composited all enhancements in After Effects to add cinematic realism. Black Dragon Director: Alex Thompson Applied tracked glow effects to the eyes, precisely animating the illumination to follow movement throughout the shot. Black Dragon Director: Alex Thompson Added a gun flash with realistic reflections and simulated bullet ejection, all motion-tracked to seamlessly integrate with the live-action footage. Black Dragon Director: Alex Thompson Executed a day-to-night conversion and composited atmospheric fog in After Effects to enhance mood, depth, and environmental realism. Black Dragon Director: Alex Thompson Executed a day-to-night conversion and composited atmospheric fog in After Effects to enhance mood, depth, and environmental realism. Black Dragon Director: Alex Thompson Executed a day-to-night conversion and composited atmospheric fog in After Effects to enhance mood, depth, and environmental realism. Black Dragon Director: Alex Thompson Executed a day-to-night conversion and composited atmospheric fog in After Effects to enhance mood, depth, and environmental realism. Black Dragon Director: Alex Thompson Added realistic eye reflections, compositing each character's reflection into the other's eyes to enhance visual connection and depth. Black Dragon Director: Alex Thompson Added realistic eye reflections, compositing each character's reflection into the other's eyes to enhance visual connection and depth. Black Dragon Director: Alex Thompson Designed and animated title graphics in After Effects, crafting custom visual effects for on-screen typography. Blame The Author Director: Alex Thompson Created planets and atmospheric effects in Element 3D, developing the overall look and feel of the space environment with layered depth and realistic glow. Blame The Author Director: Alex Thompson Created planets and atmospheric effects in Element 3D, developing the overall look and feel of the space environment with layered depth and realistic glow. Blame The Author Director: Alex Thompson Added chromatic aberration and lens distortion to stylize the image and enhance its cinematic look. borisfx +1 Blame The Author Director: Alex Thompson Seamlessly married stop-motion footage with the live background plate, integrating the elements so they felt naturally connected and shared the same environment. Blame The Author Director: Alex Thompson Seamlessly married stop-motion footage with the live background plate, integrating the elements so they felt naturally connected and shared the same environment. Blame The Author Director: Alex Thompson Generated a sky background and matched the thunder lighting to the stop-motion animation, enhancing the scene’s mood and visual continuity. Blame The Author Director: Alex Thompson Generated a sky background and matched the thunder lighting to the stop-motion animation, enhancing the scene’s mood and visual continuity. Blame The Author Director: Alex Thompson Generated a sky background and matched the thunder lighting to the stop-motion animation, enhancing the scene’s mood and visual continuity. Blame The Author Director: Alex Thompson Added chromatic aberration and lens distortion to stylize the image and enhance its cinematic look. Blame The Author Director: Alex Thompson Married stop-motion footage with the live background plate, integrating the elements so they felt naturally connected and shared the same environment. Blame The Author Director: Alex Thompson Added chromatic aberration and lens distortion to stylize the image and enhance its cinematic look. Blame The Author Director: Alex Thompson Composited a castle destruction sequence, integrating the destruction elements seamlessly into the shot for a more dramatic and believable result. Blame The Author Director: Alex Thompson Seamlessly married stop-motion footage with the background plate, integrating the elements so they felt naturally connected and shared the same environment. Blame The Author Director: Alex Thompson Created planets and atmospheric effects in Element 3D, building a cinematic space environment with layered depth and realistic glow. Blame The Author Director: Alex Thompson Designed and animated title graphics in After Effects, crafting custom visual effects for on-screen typography. Forest Of Shadows Director: Jeanna P Kim Composited layered paper cut stop-motion animation and integrated it with a live-action background, using shadow compositing to make the elements feel naturally unified. Forest Of Shadows Director: Jeanna P Kim Designed and animated title graphics in After Effects, crafting custom visual effects for on-screen typography. Forest Of Shadows Director: Jeanna P Kim Composited layered paper cut stop-motion animation and integrated it with a live-action background, using shadow compositing to make the elements feel naturally unified. Forest Of Shadows Director: Jeanna P Kim Composited layered paper cut stop-motion animation and integrated it with a live-action background, using shadow compositing to make the elements feel naturally unified. Forest Of Shadows Director: Jeanna P Kim Composited layered paper cut stop-motion animation and integrated it with a live-action background, using shadow compositing to make the elements feel naturally unified.